Empower hire someone to write a research paper Abstraction Working discipline and rigor Build small texts Building a Tale PROCESS Construction and use of a text Unlock techniques (furious / compulsive writing) Creative Development Techniques Creating environments Dynamic character definition FORMER A. Branco - Master in Theater, specialization in Performative Arts,
Written Scene variant, by the Superior School of Theater and Cinema of the Polytechnic Institute of Lisbon (2014). Artistic training with João Mota and António Torrado at the Calouste Gulbenkian Foundation. Professor of creative writing and writing for theater, playwright, director, theater consultant. Collaborator behind Behind the Mask - RDP Africa (since 2008). Collaborator of Sercultur - Canal Cultura do Sapo (2001-2010). He develops several projects with university theater groups, namely JUDAS, Special Jury Prize of the University Theater Festival of Fez - Morocco (2012); IN A COUNTRY WHERE THEY DO NOT WANT TO DEFEND MY RIGHTS, I DO NOT WANT TO LIVE, FATAL Public Prize and Honorable Mention for "the happy work of dramaturgy, the simplicity of means, the interpretive quality and the rigor in the execution" (2013); THE DOORS OF MAHAGONNY, Honorable Mention for the "creative and coherent adaptation of the original object, expressed in the adaptation of the text and the reinvention of the musical universe" (2008);
TERRORISM, Assignment writing help Honorable Mention for the "quality of the adaptation of the text and general composition of the show" (2006), FATAL - Annual Festival of Academic Theater of Lisbon. National Prize of the Arts of the Show Maria João FontaÃnhas with VOLLEY (2010). Selected in the area of New Portuguese Dramaturgy in the Encounters of New Contemporary Dramaturgies with THIS IS NOT A GAME (2010). Grand Prix INATEL / TEATRO - New Texts with CHOVE ALWAYS IN AUGUST (2008) and Grand Prix INATEL / TEATRO - New Texts with 7 (SETE) (2007) Distinction João Osório de Castro, Iberian Theater Forum (2008) and Honorable Mention INATEL / THEATER - New Texts with UNTIL TOMORROW! (2005)
Written Scene variant, by the Superior School of Theater and Cinema of the Polytechnic Institute of Lisbon (2014). Artistic training with João Mota and António Torrado at the Calouste Gulbenkian Foundation. Professor of creative writing and writing for theater, playwright, director, theater consultant. Collaborator behind Behind the Mask - RDP Africa (since 2008). Collaborator of Sercultur - Canal Cultura do Sapo (2001-2010). He develops several projects with university theater groups, namely JUDAS, Special Jury Prize of the University Theater Festival of Fez - Morocco (2012); IN A COUNTRY WHERE THEY DO NOT WANT TO DEFEND MY RIGHTS, I DO NOT WANT TO LIVE, FATAL Public Prize and Honorable Mention for "the happy work of dramaturgy, the simplicity of means, the interpretive quality and the rigor in the execution" (2013); THE DOORS OF MAHAGONNY, Honorable Mention for the "creative and coherent adaptation of the original object, expressed in the adaptation of the text and the reinvention of the musical universe" (2008);
TERRORISM, Assignment writing help Honorable Mention for the "quality of the adaptation of the text and general composition of the show" (2006), FATAL - Annual Festival of Academic Theater of Lisbon. National Prize of the Arts of the Show Maria João FontaÃnhas with VOLLEY (2010). Selected in the area of New Portuguese Dramaturgy in the Encounters of New Contemporary Dramaturgies with THIS IS NOT A GAME (2010). Grand Prix INATEL / TEATRO - New Texts with CHOVE ALWAYS IN AUGUST (2008) and Grand Prix INATEL / TEATRO - New Texts with 7 (SETE) (2007) Distinction João Osório de Castro, Iberian Theater Forum (2008) and Honorable Mention INATEL / THEATER - New Texts with UNTIL TOMORROW! (2005)
Creative Writing Workshop - Grant Allocation
Reviewed by Stephine
on
November 21, 2017
Rating:
Reviewed by Stephine
on
November 21, 2017
Rating:
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